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Why this exists

Christopher Nolan has done more than anyone to keep 15/70 mm film projection alive — and IMAX still gives you no way to find the theatres that run it. Their own theatre finder searches by location and nothing else, and the theatre pages behind it never mention film, screen size or aspect ratio. When a big title opens, IMAX posts a one-off list of participating 70 mm venues, and then it goes stale. This is the list, rebuilt regularly from the IMAX Wiki.

Which IMAX is actually worth the trip?

Not every screen with an IMAX sign on it is the same format. Ranked by picture quality, best first — this is the ordering IMAX enthusiasts broadly agree on, and it turns on three things: whether the picture is film or digital, whether the screen shows the full tall 1.43:1 frame or a cropped 1.90:1 one, and how big the screen physically is.

15/70 mm film
The real thing. A 70 mm frame run sideways through the projector, about ten times the area of a standard 35 mm frame and commonly reckoned to out-resolve any digital cinema format. Shown at 1.43:1, so the picture fills your view from floor to ceiling. GT 3D and GT are the grand-theatre projectors; SR is the smaller-house version. Only 58 theatres on this list still run it, which is the entire reason for the 70 mm filter.
IMAX GT Laser
The best digital IMAX. Two 4K laser projectors superimposed, with the widest colour range and deepest blacks IMAX has shipped — and, crucially, the only digital system that fills the tall 1.43:1 frame. If you can't get to a film house, get to one of these.
IMAX CoLa
Very good, but wider and shorter. IMAX's single-projector "commercial laser", now the most widely installed system. Excellent contrast and brightness, but almost always in a 1.90:1 auditorium — you get a cropped frame compared with the two above.
IMAX Laser XT
A laser system built for mid-size auditoriums. Good picture, smaller room, 1.90:1.
IMAX Digital
The weakest of the bunch. The older twin 2K xenon system at 1.90:1 — dimmer and softer than anything above it, and the reason the phrase "not real IMAX" exists. Being retired steadily.

Dome Domes (also sold as OMNIMAX) sit outside the ranking — a tilted hemispherical screen that wraps past the edge of your vision. Different rather than better, and mostly science museums showing documentaries rather than features.

1.43:1 Worth repeating on its own: the aspect ratio can matter as much as the projector. A 1.43:1 screen shows the full-height IMAX frame; a 1.90:1 screen shows a wider, shorter crop of it. Filter by Screen shape → 1.43:1 to see only the tall ones.